…the almost right word

Redbelt directed by David Mamet – Chiwetel Ejiofor steals every frame of this film as Mike Terry, a jujitsu teacher struggling to pay the bills and maintain his sense of honor. When an unexpected event takes place within his own studio (involving Emily Mortimor), Terry is forced to make a difficult decision — enter a fighting tournament with the hopes of winning a sizable prize or give up his life of jujitsu instruction (I’m simplifying). 

You’re probably familiar with Ejiofor, whether or not you realize it — he’s been in a series of memorable movies, none of which display his acting talent like Redbelt: Amistad, Love Actually, She Hate Me, Children of Men, American Gangster, Serenity. I remember seeing his face, but could never have placed him. Redbelt, however, deserves recognition mainly for Ejiofor’s performance. The character of Mike Terry represents the struggle of humankind, a decision which every adult faces — get a job and make a living or pursue a passion and, quite probably, struggle.

The best moments of this film take place at the end, which I will refrain from spoiling. Let me just say, if the Karate Kid ever inspired a tear to fall from your eye, then Redbelt is not only worth a view, but even two or three. The philosophy behind jujitsu is given proper attention, as a running theme throughout Terry’s personal struggles. It’s not to say the film doesn’t have its loose ends. Mamet’s story includes many strings which I expected to tie together throughout the climax. It was mildly disappointing to find the Tim Allen story line left out in the cold, with no true ending. Peter Travers, of Rolling Stone, put it perfectly in his review: 

At the center of this quiet storm of a movie, beautifully shot by There Will Be Blood Oscar winner Robert Elswit, Ejiofor confirms his status as one of the best actors anywhere. Born in London to Nigerian parents, Ejiofor can do film drama (Dirty Pretty Things) and comedy (Kinky Boots) and win raves onstage (as Othello). The resonant stillness he brings to Redbelt pulls you in. Even allowing for a few slips in pacing and judgment, Mamet is on his game, and that is a sight to see. No con.